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4 g- “ unlikeable people. 8 a hrmedran. I've . tried to frrvl .‘.'::,s of mak rm; Joe V“ V ‘ 7 charming. all/it (actuall, wakes form more shocw I; THE WALWORTH FARCE situation is utterly bizarre. The p'O’lel'Z'l stnw, :1 good Another Corker of a play from the Disco Pigs man ‘I really fancied writing that play of Irishmen in halar/K; of PW l: . LlZZIQ London which everyone’s had a go at and which I hate,‘ Roper; am ’,’,'oe(l!art‘;. Tr Enda Walsh has a lot to thank the Edinburgh Fringe for. says Walsh, whose play is like a warped parody of Tom COmI/IWKC' HUM/fill ’1‘51798 It was here in 1997 that the Traverse Theatre hosted a Murphy's A Whistle in the Dark in which five Irish ex- cc'wrgelltr‘g ’la'l’ comm, ‘l‘ ,9 1 need production of his play Disco Pigs. It wasn’t the first pat brothers fill their Coventry home with aggression, to ’,“:7jl“‘;‘: ,0 melt a‘tr:r.'.::'d'.. thing he‘d written but, with its wild energy and hyper- hypocrisy and self-hatred. ‘The notion of Irish people f " e fraxalwrr; 5a nary: play. real Cork dialect, it was the one that put him on the doing farce, when we have no knowledge of farce in Revenge W,- Dog of The. :9 The map. It also set in motion the career of Cillian Murphy, Ireland, just seemed right.‘ perfect a“ from] Lax. rmer our: since seen in 28 Days Later, The Wind that Shakes the Produced by Druid Theatre Company, last here in the fa "was a" or. Art/wt, 9/ :; gunk Barley and Batman Begins. International Festival with its ambitious JM Synge plug. Greer 938*.ch Walsh was back at the Traverse in 2001 with cycle, Walsh’s play is a slapstick comedy described by I Pleazance Co Mixer/1. "356 6550. Bedbound, a dark two-hander about a murderously the Guardian as ‘disturbing, memorable and deeply 4-27 Aug we? ‘ 6pm, :5 lO—f. 72 ambitious father and his polio stricken daughter. Now, moving’. ‘I hate farce as well,’ laughs Walsh. ‘But | 68. 50-2”. 7 Prenexxe :lr‘rfi 3/419, £5. with The Walworth Farce, he is ready to consolidate his knew there was something disabling, unemotional and position as theatre’s most vivid creator of worlds that devoid of any life or humanity in farce that I liked. It 300 ‘ are at once surreal and believable. Like the characters was a bit of a shock for me, so I sat down and learned Te'epthe mug in the earlier plays, the all-male Irish family holed up in how to write farce and to write within those ange 01 $1 226 0090 5 ,, , a council flat in South London are convinced their constraints. I wanted to do a contemporary, brash play Internamn?‘ FeZt‘VdIEl”L47’ Z000 behaviour is rational. Yet, imprisoned by a fear of the that’s really giving to an audience.’ (Mark Fisher) Hm Fesmdl O1 “’1 6 " do ’0
Book Festival .0845 373 5888
outdoors and compelled by the tyrannical father to I Traverse. 228 7404. 5—26 "or 3 ‘3. 23/. toes A F t I (777 16, .3470 enact a multi-character farce over and over again, their £76 [£7 7 _ Prewew. s 3 ‘ ' rt 95 “’3 J 3
2 7: ’ THE LIST FESTIVAL MAGAZINE 63