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Visual Art
Publlc Galleries
I CITY ART CENTRE
2 Matti-i Sui-ct 52‘) WW .\1on Sal lllani 5pm. Sun noon 5pm L5 it; 5”». Ll-l l.illlll_\
Albert Watson: Frozen l'niil Sun 33 ()ct lniagcx h} llll\ ludinhiiigli horn photogr.‘iphci. \‘.llH\t' cclchiu} poi'tiaitx and othci [llcllllt'\ haw .ippcaicd in lll;tL'.'t/lllt'\ \uch .i\ \mm and li'u/lmu .8111”!
Anne Redpath and The Edinburgh School I lllll Sun 23 ()ct Still lilc pit-cm and landxcapc paintingx h} r\llllk‘ Rcdpath and llt‘l clllllt'lllptll'ul‘lt'S. Toulouse-Lautrec and the Art Nouveau Poster .00. l'niil Sun .3: ()t‘l St't' llllll\l .Illil It'\lt'\\. [‘ilfJL' ‘3.
I COLLECTIVE GALLERY
23 ES ('oclthurn Sliccl. 33H IZN).
'l’iic Sat noon 5pm
Matt Stokes: Pills to Purge Melancholy O... l'iiiil Sal Iii Scp. 'l'hc lll'\l \olo \llim h_\ thc \xinncr ol llllS _\cai‘\ llcck'x l‘llllllt'\ Auard lcatui‘ing a ncul} t‘tilllllll\\ltlllt'tl piccc looking at ladinhuighk lllll\lL‘ \ccncx and \uhculluicx, I’d/'1 u/ Ixi/iIi/iurg/i ,lll Int/ml.
I COLLECTIVE GALLERY@ST GILES’ CATHEDRAL
Rinal .\lilc. 33H llhll, Mon Sal
‘lani 5pm; Sun I 5pm.
Matt Stokes: Sacred Selections Thu 24 Aug. '1'. illpin. l'i‘cc. .\ chancc to hcai' thc coniplctc i'cpci'loirc ol' lllllSlL‘ li'alui'cd in thc Zuni» llcck'x l-iii‘tui'cx \\lllllt‘l'.\ lll’xl \olo \ltim. “lilcll lncllliltN noi‘lhcrn \illll. happ) hardcorc and Mack inclal t'lilSSlL'S pci‘loi‘incd on thc pipc organ. I’iirl u/ l-..-l/'.
I DEAN GALLERY
75 llcll'ord Road. (C4 (illll), l);ul)
Illain 5pm.
Van Gogh and Britain: Pioneer Collectors 000.0 l'nul Sun 24 Scp. U» (Ni; ii I 2x ll'cc. li\hihition charting thc rclationxliip hciuccn Van (iogll and lii'ilixh art collcclorx. locuxing on (iltlxgim ilt'ttlcl' .-\lc\andci‘ RL‘ltl. Eduardo Paolozzi: Prints and Drawings l'nlil Sun I ()ct. .-\ \clcction ol \crccnprintx. t‘lL‘lllngN. \xoodcutx and than high h} lhc lainoux \culptor.
Ten Bindings for ‘Stone’ l'iiiil Sun 3 ()ct. Dixpla} ol' hook hindingx h) l-‘ailh Shannon ci'catcd l'oi‘ Slum. a \clcction ol ptK'llh h} (icorgc Macka) lli'oun.
I EDINBURGH PRINTMAKERS 25 l‘nion Sll'ccl. 55“ 247‘). 'l‘uc Sat Illani (ipin.
David Shrigley COO l'iiiil Sal It» SUP. .'\ \t‘lt‘clluli Ul I'L‘cctll L‘lclllllg\ ttllil \xoodculx inadc l‘L‘l\\L‘L‘ll lelll) and 2005 h} thc darkl) humorous (hum/lim- cnilul‘wd itl'li\l. ’iil‘l n/ Ifxl l'.
I FRUITMARKET GALLERY
45 Markct Sti‘cct. 325 2383. Mon Sat I lain (ipin; Sun noon 5pm.
Marijke Van Warmerdam: First Drop - What is and What will be .0. l'ntil Stiii l7 Scp. l-‘i‘cc.
I MUSEUM OF CHILDHOOD
42 High Sti‘cct. 53*) 4M) Mon Sat Illain 5pm. l’rcc.
Lost Childhood l'ntil Sun It) Scp. .-\n mhihition ot‘ plioiograplix gathcrcd h)‘ .-\ninc\t_\ International looking into thc phcnoiiicnon ot~ child \oldicrx.
I NATIONAL GALLERY OF SCOTLAND
‘l‘hc Mound. (12-1 0200. Mon \Vcd ck l-‘ri Sun Illain 5pm; 'l‘hu Illain 7pm. Rembrandt at 400 l'iiiil Sun 2‘ .-\ug. .-\ \clcction ol~ llldSIL‘l' printx to cclchratc thc 400th annixcrxar} of the Dutch al‘llsl'x birth.
Devil in The Detail: The Paintings of Adam Elsheimer (1578-1610) 0.... l'ntil Sun 3 Scp. L‘h (Hi; lll3\ t'rcc. R0};ll Scottixh .~\c;idcni} Building.
-\n cxhihinon ol thc tin} lll.t\lt'l‘l‘lt'ct‘\ that (icrinan-horn l:l\hcnnct ttcatcd on xinall coppcr plato
Vincent's Views on Art 'i'niil Sun :4 Scp 'lo complcnicnt liill(ii';'l1i.'llii/ Ill-mun .it thc l)c.in (Lillcr). llll\ \llldll dixpla} includcx \\tll'l\\ h) .ll'lhlx uho inllucnccd thc grcat Dutch paintci. \uch ax l)clacroi\. \lonticclli. and Scurat Ron Mueck C... l’ntil Sun l ()ct L5 il-rcc t i5tli Ro};il Scottixh _\c.idcin} Building. ll)lk'l*lt'.tll\llc \culptuicx i'cndcicd lantaxncal h} thc lgicl lllttl lllt‘} ll;t\t' lk‘t‘ll c'lt‘dlt'tl \[l.illf_‘t‘l_\ HUI HI pl'iipiil'lliin
Signed Tour: Ron Mueck Sun In \ug. llain noon. l'i‘cc. Roin Scottixh :\cadcin_\ Building. Mar} Kilpati'ick lcail\ lhtx [our lot lhc ilcal. lo hook a placc la\ “I ll (if-l 644“ or NH (PSI-l 7’5IHX7.
I NATIONAL GALLERY OF MODERN ART
‘5 Hcllot'il Road. (ill (illlll. l).lll_\ Illain 5pm.
Robert Mapplethorpe l iiiil Sun 5 Nov St't' llllll\l.
Sex, Death 8. Portraiture Mon 2| :\ug. |3.45 l.|5pin. l'l‘cc. (inn l);t\l\ ll'Ulll thc l'nnci'xit} ol lii‘ixtol lltltll't'SSt'S thc lllU\l linilanioux trait ol Mapplclhorpc‘x norlt ilx \c\uall} c\plicit contcnl.
I NATIONAL PORTRAIT GALLERY
l ()llt‘cll Sll't‘t‘l. (‘34 (illlll. .\IUll \Vt‘tl «Q Hi Sun Illain 5pm; 'l'hu lllain 7pm. Thoroughly Modern Women
.0. l'ntil Mon 3S .-\ug. l’oi‘li'aitx ol' t't‘\pcclcil SCUIIlSll l'cnialc ltchN \uch ;i\ l);llllt‘ l‘liit‘a \lc‘lt‘iitl Ul' .\lcl.cod and lhc lll‘\l lt‘lllitlt‘ Solicitor (icnct‘al. lilixh .-\iigiolini.
Portrait Miniatures from Scottish
Private Collections l'iiiil Sun 2‘) ()cl.
l)i\p|;i) ol i‘arc paintingx including \oinc
Lauren Kirkman
prcnouxl} Llll\t‘t‘ll pic-cw hclonging to thc Dulw ol Bucclcuch
The Face of Craft: Portraying Scotland‘s Makers l'niil Sill] .\ ()cl l’hotogiaphx ol inodci'n Scottixh ciiitt lll.tl\L‘l\. Ilicii‘ cnxiionincnt and lhc ohlcch thc} ct‘calc. h} Shannon loll\ Being There: Harry Benson‘s Fifty Years of Photojournalism l'ntil Sun ' .l.in {hit-1i ('clchi‘it} [‘Hl'llillh .ind hicalting llt'\\ \ plcllllt'S ltoin thc caich ol lllllllt‘lllml [‘lt‘\\ photogiaphci lliu'i} llcnxon
I NATIONAL LIBRARY OF SCOTLAND
(icot'gc l\' lli‘idgc. 33h -l5 ‘1 Mon Siit lll.tl|l 5pm; Sun: 5pm Birds of a Feather - Audubon in Edinburgh l'ntil Sun l5 ()ct l-icc
lll\ nainc torc\ci linltcd \\llll thc l’S \\ liii'd l’i'otcction Socict}. lll|\ mluhinon c\ploi‘c\ thc uoi'k ol gi'cat \\ ildlitc .llll\l John Jaincx Audubon
Curator’s Tour 'l'iic 32 .-\ug. 5pm l'i‘cc. tickctcd. l'.\hihition curator l)i (ii‘ahani llogg gun a guidcd toiii ol lhc \uinincr c\hihition. Hooking cwcntial
I THE QUEEN’S GALLERY l’alacc ol llol}rooilhou\c. 55h 5lllll Hail} 0. illani (ipin. £5 iH5ln. Canaletto in Venice l'iiul Sim " Jan. Painting and ili';i\\iiig\ ol llu\ hcautil‘ul llaliaii cit} h} (limanni .-\ntonio ('anal ihctlci‘ knou ax ('analcttoi.
I RIAS GALLERY
l5 Rutland Squai'c. 23‘) 7545, Mon l‘l‘l ‘lani 5pm; Sat ‘liiin lpni.
My Favourite Place l'niil Sat 3 Scp. l’rcxidcntx paxt and prcxcnt li‘oni thc Royil Incorporation ol .'\rchitccl\ dixpla} thcii' \ ixionx ol Scotland.
I ROYAL BOTANIC GARDEN
lincrlcith llouxc. 553 7|7l.
With a breadth of past work that reflects upon the history of floors, roads and other innocuous man-made materials of everyday encounter, this emerging American artist will recreate a section of Edinburgh’s cobbled road for the interior of Corn Exchange. I Com. Exchange. Edinburgh. 78 Aug—28 Sea. Free.
Robert Ryman l niil \iiii 1 (M \olo \lli\\\ l\_\ thc \niciitan lllt'ilt‘lllhl, tuialcil hi collcctoi l l\ l\'itil\\llllllli‘l and thc .tlll\l lnnhcll. l‘llllfflllf.‘ togcthci \xoik ltoin I‘m: to llic l‘lt'\\‘lll
Ill
TWO Voices l lllll \nn 1 Hit llll.t_‘.'t'\ ol Ilic giiidcn [wiltincil lioni hotli hlind .ind \iglilctl pcixpci tncx. cicatcil l\_\ lx’mita \lat‘KcH/Ic and lx'chccia \l.ui I'M-Ir
/ \/
Candela 7/450 (For the Death Star) I ntil Sun iScp lhcl 5”“ lilamt l‘illllt'\ \\ctil into tlic lll.il\lll:' ol ll.i\iil llalthclot\ \cconil lll\l.lll.tlli‘ll in thc cu). tic.iling .i liugc \tiing ol l‘llt'lll pink. giccn .ind oi.in~_'c li;'lit\
I ROYAL MUSEUM
3 (illdllll‘t'h \llt't‘l. .\-l ‘ l.‘ l" \lt'll \ttl lll.tlll 5pm. Sun noon 5pm. luc
lll.tlll Spin licc
Beyond the Palace Walls: Islamic Art from The State Hermitage Museum 0.... l lllll \nn 5 \o\ to till: l'\hihition ol o\ci .‘IIH \kiill\\ ol l\l.lllllc .ul lioni tlic l<ll\\l.lll Illll\t‘l|lll. including lt'\lllt'\. cnihioiilciic» ‘.'l.l\\ .ind lllt'lillfltlllx lioin .l\ l.tl .lllt'lil .l\ l'g}pl .ind (‘lnna
Reflections: A Decade of Northlands Creative Glass l lllll Sun “ .|.in. lll.iin 5pm lit-c ionic and \i\il tlu\ collcclion ol mci (ill hcaulilul \\llll\\ lioin Scotland\ llllt'lll.llltlll.tll\ l't‘lltMllt‘tl L‘L'llll't' lHl ct'lllt'lllliiildu g‘l.i\\
I ROYAL SCOTTISH ACADEMY 'l hc Mound. 335hhfll \lon Sat lllain 5pm; Sun noon 5pm
Laura Ford - Armour Boys I lllll Sun Ill Scp l‘lt't‘. Scc Plt'\lt'\\. pagc "7 I SCOTTISH PARLIAMENT BUILDING
lltil}|’i)iitl Rlldtl. I’ll Illllll
World Press Photo 06 lllL' 33
Aug 'l'hu 7 Scp l'icc \\ inning t'lllllt'\ li'oin llll\ pi‘cxligioux pliotogiapln conipctition. gnnig a glnnpw into thc li\c\ ol pciiplc all ilt’lii\\ lhc \\Hllll I’d/I (III/14' /‘('\Ill(l/Itl l’iI/llli \ JUN/i ll?
li )ll'll.
I SCOTTISH POETRY LIBRARY .5 (‘l‘iclilimK ('linc. ('gitlnligalc. 5“ 2876. Mon l‘l'l llain (ipin‘. Sal noon -lpni.
The Shiants l‘niil In X My lit-t- I'lllllltl olncch. lllln loolagc. [lillllllllf,,'\ and [Nit'llh ili'picting lll|\ |\Hl.tlt'il gioiip ol llchi'idcan l\l;llltl\ h} I’at l.a\|.. lan Stcphcn and Norman (‘halincix
I STILLS 2i ('oclthui'n Strccl. 023 (illlll l).ul_\ llain (ipin. Tracey Moflat: Adventures 00.0 [mil Sun 2‘) ()ct. KllSt’ll. coinic \lllp \t} lc pllnliigl'aplh h} llll\ .-\u\ti‘ali;in ill'llSl. \Nlliixc darkl} ainhigiioux narratin dcal \Hlll l\\llt'\ \uch .'t\ gcndci'. clhnicit}. pim ci and \ iolcnt c Archives and Memory \Vt-d 2 ~' .»\uj.'. ()plll. l'rcc. ’l‘hi'cc Pl'élt‘lllltlllt'h Stcphcn l’ai'tridgc. Karl Magcc and l);i\c l<u\liton C\plnt‘c thc at'l HI lllc at'clil\l\l. hr! «1/
llxl l'
I TALBOT RICE GALLERY l'nixcrxit} ol ladinhurgh. South lii'iilgc. 65” lell. 'I‘uc Sat Illain 5pm. Girlpower/Boyhood COO. Sitl .5“ Scp. SL‘C llllllxl.
l'ntil
I WESTON LINK
llzmthorndcn l.cclurc 'lhcatrc. National (iallcr). thc Mound. 624 6500. Vincent: The Full Story l'.\L‘r} 'I hit until Zl Scp. 'l‘inicx \ar}. l'rcc. \Vcckl} \crccning ol Waldcinar lanux/c/ak\ ('hanncl 4 \cric\ Llhlllll Ihc llIL' Hl \inccnt \‘an (iogh.
THE LIST FESTIVAL MAGAZINE 73