Theatre
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Book Festival 0845 373 5888
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TWO MEN TALKING Oral therapy 00..
" 1 1 1 :1 ‘ . REALISM. . . girlfriend he left long ago (Shauna McDonald) as well as ‘ t N 1 ‘ v , 1 An astonishing exploration of the unconscrous 00000 the one he currently sees but is separated from (Louise 1 ' ' 1 1 Anthony Neilson‘s new play seems on the face of it to Ludgate). Meanwhile, he‘s troubled by an alter ego that " '1 11 ' construct a world in which a good deal happens. Yet gets him into every kind of scrape (Matthew Pidgeon) 1:1 . 1‘ : ‘ '1 z. : 1' the piece, being about precisely what it says on the tin, and memories of his dad (Sandy Neilson). 1 1* 1 ‘ . . 1 is in fact quite static. at least intellectually, for it occurs This is a piece that quests through the interior self 11 1’ “1 1 1‘ 1 1 ‘ ' 11' entirely in the mind. This is no great revelation to a of all of us, creating a space in which we watch the ‘111 1 1 ‘ 1 1 ' 1 111 1 ‘1 1 potential audience, one suspects, since Miriam free play of a man‘s unconscious. He plays out in it» 1 ' ' 1‘1 T.‘ 11 . Buether’s clever design, showing the everyday objects fantasy his own role in Question Time, where the l 1 1- 11 1 ' " 1 11' ‘111 1 11 1 from an average Joe apartment half buried in shifting politicians join him on his couch and are impressed 1r 1: ,1 ' '1 ' 1 1" : sands seems to indicate a world of transient reality by his views on the smoking ban, while his ‘What a '1 11 .111 :1. ' 1 -_ from the start. Yet, if this is another exploration of Bunch of Fucking Cunts‘ song, a glorious number 111. 1',1\ll 1:; 3.1:" '1 1' : l subjectivity, it is a brilliant one. complete with un-PC and inexplicable black and l "1 t r -.1 .r~ 1'11 In it, Stuart (Stuart McQuarrie) lazes about white minstrels is as funny 3 piece as you‘ll see on 3'111':1 1 1111. .11' -'° 11 1 1. ' ' 1 speculating on his past life. A lost mother (Jan the Fringe. This is an immense and moving piece of 111 1 111.1'111- :1 1.1 ‘1. ‘1 1*." Pearson) is part of his thinking process, as are the theatre, directed by its author to profound effect. and 3211 .1'21:1 . 1 1 i‘ i}. absence of his cat, Galloway, and his reflections on featuring stand-out performances. A Festival l-‘n .1121 M .121. N ~~ politics, the arts and the nature of his friendship with highlight. (Steve Cramer) 1.11.111~:1.1:19|,1111.11r1: 1.11 Jug-1111.15 his mate (Paul Blair). But most of all he speculates, as I 1': .1 .. 1- " 1- .. ‘— 1 11.1111.11111. 111. .1 1 f perhaps we all do, on the one that got away, the " 1' ' ' ' - I 1111#11.'111111‘Ll.:r‘ 1'11)» ‘ :1. ' 11 1, ' (j. ,1 ‘51:}941W‘1’7. . . 11. r‘. 1" 1114.11 ' N -' 1.11 5111. .' 1- TERRE HAUTE BY .11 :1. .‘LN; 1~\1f 1111:1111”. '91,. " l..\:1111~f1.._:1..'1- 1 .5. t I: , .' :. , H l 1' } Tight naturalistdramaoooc . : i , I>"1':‘- 1:1"1’ Ti Tfl‘1.:"l1*'.:°.'11-' "\1“ ' '. “1:112'. ' ' :' .' ZELDA 1 NO osvnous TRAUMA A life less ordinary COO. -. 1. .11; j 1. ' .-_- , Beautifully told traumatic tale “(V ,., . , 3,, P, . ‘.W. I,. = I oooo 1\t1-~.71 :1111'11111 11:11.1 .911 t'm :' 21 t. f'1» : T" '- . 111' : .' :: .r.1 '1\-"1:111.1t‘ 111111.:l‘ 1.1. tr‘11 211*.f' 1vf'1'. " 1-1: ‘. :' 11°. .' :1- : 1. .: 1: I I--111.Z1‘.1‘..1:\1 1.1'111‘11-11 ‘1‘.l'~.l 1 11 ,, H 11 ,1, g, I; 21 . I: . - . r 1. | :31 tfi.t.'1111'.1i1: .'111.l.1'1-u'..f‘tnt':1- 1:1 xii!" 1:11::' 2 " 1 ' 11:111' .' ' 11' Pruittlynx:;".l_1.'.',1'\1111N1-.'. \ "1~\_l"_1" M.- ‘J : ' .' 1' ' :1 : ' ' ' . " l" i'11'1'H11'1”.1"11 ' I .‘ Ht r1 .’ ' °' ’ ' 1 I ‘ ' 1:111 1131111111.: 11.11 1:1 ' 1 1 , 1 1 .. 1 1 DARK arwrsnzo v , ., ,1: . . . v 1 WORLD PREMIERE 1 1 “ 1 SMIRNOFF 1‘ ' 'v " 1 r1 ' = '- UNDERBELLY .: ‘1 “ 1‘ 1 ‘ ' ' ' : 3-27 August 1. 1 1 :1 ;: 1 1 1 1 .45 am 1 ' ' 1 1 1' 1 ' apricot theatre ‘ ‘ ' “ ‘ fl ‘ ‘ ‘ ‘ ' ' ***** “ ' “' " , 51'51‘ "111.171- ' I
'bloody talented‘ Yerk Ever‘nng Post i t 'k * * Tin? F
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Online Booking
Book Festival wwwedbookfestoouk Fringe www.edfringe.com International Festival www.eif.co.uk Film Festival www.edfilmfest.org.uk
68 THE LIST FESTIVAL MAGAZINE ' ‘ . 11