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AND EVEN MY GOLDFISH
Fantasic physical theatre 0000 THE UNSINKABLE CLERK
Pathos and pure joy 00..
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DR LEDBETTER’S EXPERIMENT
. _ _ , . up any new debate on the battle between faith and fact, ' ~ ' ~ ' 1 ‘ ‘« 1 An earie, if you Will, n1ght out wuth headphones 0000 but Jo Mangants production for The performance . In , ,, . .. , . . I . 1 I Corporation adds a pastiche effect, borrowing from ' « ‘ z: . ‘ w ' 1 ' ' . ' Site specific theatre can no longer be regarded as a Hammer Horror films, Dr Jeckyll and Mr Hyde, The ~ ' w ' v 1 1: ' 1' " 1 v ' new trend in Britain, yet its capacity to reinvent itself Prime of Miss Jean Brodie and even contemporary :1. w: 11» 1 1 ' ' with each different location certainly shows a power to images from Abu Ghraid to contemporise and revivify 1 s ‘ ' ' ' 1 «1 . ’ . :' compel. As the audience (replete with headphones for the debate. " 1.- ‘ . ' I ' . splendid sound and music effects) wandered about There are some good performances here among the 1.1“ ' " r 1 ' K ' Edinburgh University’s medical faculty, through elephant skeletons and test tubes, with Rae Hendrie as . . ; 1 1 1- ' ' " 1." Wctorian lecture halls, grand courtyards and finally a wife reduced to acidic hectoring after years of r ; 1, : z ' narrow darkened cellars, the tricks with lights and neglect and Niamh Daly a parlour maid unable to 1 ' : v ' I mirrors worked their magic. tolerate the secrecy of her affair with her master any 1' " '1 I. w ' ' 1“ ‘ ’1' 5 ' ‘ In the piece, the title character, a Victorian medical longer particular standouts. As the piece turns into a 1 1 ' 1 .‘ 1' I scholar, struggles to reconcile the absolute value grim Wellsian allegory about repression and science ' 1:1 ~ 1 ' :" 91 1 ' 7 1 structures laid down by religion and the relativism both in Victorian society and subsequent eras, its finale ‘ " ' ' ' ’ ' " ' " 1’ ' imposed by the empiricism of Darwin. Torn between a is strong, if a little bilious in effect, and generally, it’s a ' . . ' "’ Christian opposition to capital punishment and a sexual good night out, as creepy as a date with David Blunket. ; : '
frustration that leads to some untidy re-channeling, Ledbetter faces pressures from his family that leads to breakdown. Tom Swift‘s script, in truth, doesn’t open
66 THE LIST FESTIVAL MAGAZINE ‘ 4...: 1:
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