Visual Art
Public Galleries
I CITY ART CENTRE
: \lnlht'l Sll't‘t'l. <2” “I”: \liill 5.11 l‘ldlll <pin. Sun noun 5pm ‘5 it? “it. 2. H l.nnil}
Albert Watson: Frozen l‘nnl Sun 22 Ht! lnmgex h} llll\ l'.tliiihiiij_'li horn photographer uhme pnlnrex hm e appealed in ni.i;_'.i/ine\ \ueh .l\ \hem .inil li’u/z'mg Slum
Anne Redpath and The Edinburgh School I nnl Sun 22 ()e1. See pi'exieu. pch 7H
Toulouse-Lautrec and the Art Nouveau Poster l'niil Sun 22 ()ei. .\ ill\pl.i} nl l'ieneh pmlei‘ pnnlx. inelnihng H \kitllx\ h) Henri de lunlnnxe l .inliee.
I COLLECTIVE GALLERY
22 IN ('nekhin'n Street. 23“ l2hli.
'lne Sal Ilimll 5pm.
Matt Stokes: Pills to Purge Melancholy l'niil Sui lh Sep. The Hut wlu \llll\\ for the u innei oi llil\ -\e;n'\ Beth's l‘llllll't'\ .\\\;nil. leulin'ing .i neul} k'lllllllll\\lllllL‘(l pieee looking: at lxihnhin’gh'x lllll\l( \eenex and \nhenllinex. I’an «I! [Thu/Hugh girl l'r'\lllil/ I.
I DEAN GALLERY
7% liellurnl Rinnl. (Cl 020” Dull}
lllgnn Spin.
Van Gogh and Britain: Pioneer Collectors 00000 l'niil Sun 24 Sep. U) l L-ll; lll:\ free. See llnlixl and
re\ Iexx. page 7|
Eduardo Paolozzi: Prints and Drawings l'nlil Sun I ()el. :\ \eleelinn ul pinnx. elehintw and tll'd“ ingx h} the hnnunx \eulplm'.
Ten Bindings for ‘Stone’ l’niil Sun .\' ()el. l)l\]‘l;l_\ ul’ hunk bindings h} Iknlh Shannon. ulneh \xei'e ei'euletl lUl' Slum: :i hunk ol ptk‘llh h} (ieni‘ge
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Royal Museum
I EDINBURGH COLLEGE OF ART 74 [amnion l’luee. “‘72‘) Nil-1585'
Mon 'l‘hu lllgnn Spin; l‘l'l Sal
lllgnn 2pm.
Musique Cinematique 'l'hu IH .-\u:.'. Spin. :\\;llll~:_'ill'tlt' \hni'l lllllh h} .\l.n'eel Duehgnnp. l'ei'nuntl leper. .\l;in RA} and John Vigil. \Hlll lllll\lL‘;ll :ieeinnpunnnenl imin euglemx l. ’nr/ u/ IAIIII/llll'g'l] .lnnuu/i'.
I EDINBURGH PRINTMAKERS
23 l'ninn Street. 557 247‘). line Sui Ilium (ipni.
Walls
‘ A: ‘ l‘slamic Art From the State Hermitage Museum
Du"3"."t‘ m,C"‘d I"...:(".» SUSS/ad"-
Chambers Street. Edinburgh
tel 0131 247 4422 www.nrns.ac.uk/ palace
:IEU “MM FESTIURL
Matt Stokes: Pills to Purge Melancholy £25352:
winner presents a newly commissioned film relating to Edinburgh‘s ‘Fimbulvetr‘ music scene and filmed at the Usher Hall. as well as his films ‘Real Arcadia’ and ‘Long After Tonight‘, an off-site project and his ‘Sacred Selections' organ recital, which will take place at St Giles
David Shrigley 00. l nni \n In
sq» See ie\ ieu. [use
I FRUITMARKET GALLERY
‘15 \ltnkel \lieel. 73* _‘ W; \lnn \n
I Itnn hpnt. Sun Himll *[nn
Marijke Van Warmerdam: First Drop - What is and What will Be l'nlil Sun I“ Sep l'iee l lel l K wlu e\lnhinnn lUl llnx lhilth .lllhl \ahn nxex lilin. phulupmph} .inil lll\l.lll.lllitl! in e\p|in‘e he! l.i\e1n.il|nn \xnh \ nt lll:'.l inmeinenl / l/
I NATIONAL GALLERY OF SCOTLAND
'l he \lnnntl. (Cl (CHM \linl \Mxl r\ l'l'l Sun litnn 5pm; lhn lH.:ni "pin Rembrandt at 400 l nnl \mi 2” V\ng_'. .-\ \eleelion ml ll).1\lt'l l‘llllh In eelehmle [he ‘lHth .llllll\t‘l\.1l} of the Ihileh .n'lixl'x hnlh
Devil in The Detail: The Paintings of Adam Elsheimer (1578-1610) 0.... l lllll \nn 1\ep th 2. 1'. nl_‘\ li‘ee. Rom! Seullhh \emleni} Iiinlrhnv \ \eleelmn ml lhe Inn lli.i\lt'l[‘lt\t'\ Vincent’s Views on Art I nnl \nn 2; Sep \Mnkx h} wine ml the .illl\i\ Min inl‘lneneetl [he nninnum Mint 2] winter inelnthng.‘ l)e|.ieini\. \lunntelh. .znti Senml.
Ron Mueck 8.115 \u; \nn 1 (m 1* Itifilh Rim! Benniin \tmiezn} Hinlthng ll_\|\'l IL‘.lll\lI\ \tllll‘llllt'\ rendered lunlmlieal h_\ the l.l\l [hen the) lime heen ei'ealed \ll.ili§_‘el_\ Hlll mi pl'npui'llun, ‘ ' “ I
I NATIONAL GALLERY OF MODERN ART
-5 llt‘lliil'il Rikiil. “ll (‘jllll l).:ll} llldlll 5pm.
Robert Mapplethorpe l nlil \nn Q \ii\, See llllll\l
Robert Mapplethorpe: Death of the Artist, Birth of the Author Mun " \ng. 12.45 lalni l fee in l);inn.in Sutton C\[‘lHIC\ l\\llt'\ n1 illlllllll\lll[‘ in relation In \l.ipplelhni;\“\ \Mll'hx
I NATIONAL PORTRAIT GALLERY
1 Queen Street. (‘24 (Cum \lnn \\e\l & l'ri Sun llldlli Spin; lhn litnn “pin
Cathedral 29 Aug at 7:30. See collectivegallerynet for more details.
Thoroughly Modern Women 0.. l 'llll \lwri ‘\ \H" lexixxlel\~ll1»h ltlli.ll\' Lite \ne h .‘ [Mine Helena l\t‘llilt‘\l\ .nni I).:in l ll‘l.| \ltl wl \ltl
Portrait Miniatures from Scottish Private Collections 1 mi! Mn N i h! Ilixi‘la; i-l l::!\'1‘.illil|fi"\2ihllhllll'.‘willih' l‘t'lltll'.'lll" in ihe llnl: HI lint \ lent h The Face of Craft: Portraying Scotland’s Makers l mil \nn \ i it: l’lll'li'i'ldl‘lhi‘ll!1~‘~l‘lll\titlll\lttl.1ll
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lll.il_t'l\.llh‘|lv!|‘.lli"1llh'lil.ilhllllr'wlmxl- the} \lt'.llk‘_ h‘. \lmnnwn l«~?I-.
Being There: Harry Benson’s Fifty Years of Photojournalism I n l
\n:' \nn " l.:n ‘h sly ( yielnilx pournlx .::i.l lne.:l_in:' he». \ [m [mu lion; [ht-thee: ml ll!llile;l1.1l['I\'\\ I‘lli'iw‘flJi‘llt'l ll.:!i‘. lien on
I THE QUEEN’S GALLERY ital.“- u: lluiumuilwru =m \lw lltillj. ‘l “Lint Minn “ ‘l‘Hr Canaletto in Venice l mil \nn in. l’.nnl:nj,'\ .lllll th.i‘.xiv~_'\ wl It; l‘_'.:llllllll llnhrzn en'. h". (numnnn \ninniul .zl‘..:l 'l‘t‘llt'l l.lli"~.‘. «h (hilMlt‘llI'v
I RIAS GALLERY
l< lx’nliunl Nimitz 2.“) " L‘ \lnn ll! ‘Mni ‘pni \il ‘min 1pm
The Architect’s House: Sir Robert Rowand Anderson at 15 Rutland Square l nHl \n ‘ \ll‘,’ \n C‘Illll‘llll‘li :zlhllil lhe hie rnnl '.‘.Hll.\ ml {he lniinilc: ml the l<-|}.il lllti'll‘vl'ldllilll HI \itlnlaxr 1n \xi‘lltlllil ' i '1
My Favourite Place \lnn " \n:' \u 2 \ep l’iexiilenlx {MAI .nnl l'lx'n'lll fiwni lhu lx’wj..:l llleiill‘t'lJlIHll ml \ithnstlx ihspir. then 11mins ml \wllainl ' " '
I ROYAL BOTANIC GARDEN Imeilezlh llnnx; “3. "VI Robert Ryman l nnl \nn 1 Her