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KNOTS putting the show together was just as challenging. ‘The Dance away the heartaChe rehearsals were emotionally draining,’ says David Bolger, the company’s artistic director and one of the Many choreographers will tell you their show is about six dancers in Knots. ‘There were a lot of tears from ‘relationships’, a catch-all word for the often abstract everyone in the rehearsal room and we learned about nature of dance. Dublin‘s CoisCéim, however, has each other pretty quickly.’ better justification to use it than most. Knots is inspired For the audience, this visually striking piece of dance- by the book of the same name by Glasgow psychiatrist, theatre will be rather less traumatic. With Steel bringing RD Laing, who blended philosophy and psychology to the humour out of human entanglements as well as the explore how subconscious behaviour can interfere with pain. ‘Knots is a rather twisted book,’ says Bolger. ‘The personal relationships. choreography takes on some of the energy of the book, When ex-DV8 choreographer, Liam Steel read the it’s quite brutal and harsh, but there also are elements book after a traumatic break-up, he checked himself of classical ballet in it and some very moving, honest, straight into therapy. For his dancers in the Fringe lyrical and lonely moments.’ (Mark Fisher) First-winning CoisCéim — last seen in Edinburgh I '1 55’: ’-,7~'T’:. 1-1 ' :7, A. performing Chamber Made at the Caledonian Hotel - ’1 .- .~ 9%. , .1 P. ', A 5 ,
32 THE LIST FESTIVAL MAGAZINE ~ ' 51h: ._ '