at lcaxt xnnic Iuatci'ial l'i'niu l‘me c\ccllcnt txt‘ll" ninnikcrcdi .\ln\\a\ l.l’ [its Suit/t. In nthcr \inrdx. that iucanx an intclligcnt le‘“ nl xci—ti xaniplcx. |a/_\ hut lnctixcd hip-hnp hcatx and iaH-inllucnccd cclccticixin that hax tn hc cxpcricnccd tn hc catcgnrixcd. tl);l\ id l’nllncki The Waifs 'I'lii' l-ii/tiuux S/lll'g't'lli'lll.
3H 3.\' .vluu. tintm \‘tll'\. .-\uxti'a|ia'x liucxl lullx/pnp act \\ ill hnul )nu n\ cr \\ lin ha\ c hccn a hit acrnxx (‘anada atid thc l‘S. Kathryn Williams and The Posies (acoustic set) 'I'utt l/lt' I’l'i'nui'. 'I'lti' lit/mil RUN/II. I‘l.-litg. 7.30pm Scc paticl lnr \\'illiaiux. .~\n unpltiggcd xuppnrt linin thc nnc-tiinc l‘S pnp/grungcrx 'l‘hc l’nxicx.
Ray Wilson Unplugged/The Storyteller Tour Rm ill/\(tll. .lltlt/Ugw li’i'ititut'it/tt A'- llitt: tutti/30.1112. «S/tm. Stnricx and intixic t'rnni thc c\~( icncxix and Stiltxkiii xingcr xnnguritcr Ra} \Vilxnn. l’la} ing acnuxtic ttiiicx t‘i‘nin hix tni'thcniuiug xnln alhuin ax ucll ax nldci' iiiatcrial t'rnin (iL‘tthlx :Ilttl Sllllxlxln.
Wine and Wooing lit/tutti! a‘- (‘m/lu. untt/ 3.\' .vluu. ll/ll(’\ run. Snnguritcr (iill llnxi man and pnct. intirnalixt. hi'nadcaxtcr l)nnn) ()‘Rniirkc prcxcnt a xcducti\ c nii\ nt' unrdx and niuxic.
The World’s Gone Mad .x‘imm Matt. ('03. until 304112. ‘l/tni. l’ial'. linuic. ()uccn. npcra and ninrc in a caharct xhnu h} an upand-cnining talcnt.
JAZZ
Antonio Forcione and Friends .'l\\t’l)ll’l\‘ Ix’tmmx. [III/ll 37:lllg’. 6pm. lakc all )nui‘ prccnnccptiniix ahnut acntixtic guitarx and chuck ‘cin ntit thc \\ indn“. ll _\nll dnn‘t. :\ntnnin l-‘nrcinnc \\ ill pi‘nhahl) dn it hit )nu. .\ nian \xhn xccnix tn ha\ c hnundlcxx xkill at \aulting gcnrc pigcnnhnlcx and can cnnlidcntl} and xcanilcxxl) incrgc Stc\ ic \Vnndcr. 'l‘hc Bcatlcx and Man in (ia) c trach intn hix xct nl cclcctic guitar inxtrunicntalx. Sniiicnnc \\ hn can trul} hc dclincd ax a l‘ringc \ctcran. l-'ni'ciniic laxt )t‘éll' tcanicd tip \\ ith cninicx llnnthh} (irallnc and Stcplicn l-rnxt ax \\cll ax running hix n\\n xnln xhn\\ it'nr \\ liicli hc L‘tlltt} cd a rarc
in c xtai' t'c\ icu in thix \ct') puhlicatinni and cnjn) cd Itnlnt'icl} ax part nl' ha\nc
\\ waking l‘laincncn trin ( )lc? a tax _\carx hack at thc .'\\\Clltl\l} Rnnnix. lt ix tn hcrc lic niach liix rcttii'n and thc plan thix tiinc ix tn in\ itc \arinux niuxical gucxtx nn cach xcxxinn juxt tn add in thc xnnic inclangc.
t .\l;tl'lx Rtilk‘t'lxtml
The Bongo Club Cabaret 'I'Iu' “("th ('lult nut u] l/It’ li/m’. until 3;" slug. III..i’(I/mi. lidinhurgh'x lcgcndar} hninc nl' cclcctic inuxic. dancc. cnnicd} and cluhx prcxcntx a cauldi'nn nl caharct dclightx tn GCL‘p )iiti cntcrtaincd ititn thc \\ cc xiiiall hnurx.
The Boogie Band I-‘Ii'pu't/v .ttuu‘i- l't'\ll\'(l/. lllllU/Ul’lll/xlt'M Sun/liln'tiluc. until I‘lsluu. N/mi. l'p hcat liltch and Rik”.
Adrian Byron Burns (‘u/t't/uumn I'D/A ll/ttt’i it! l/l(' (ittt'lillut‘tl. (itIt/i/lmzl .«lrtm. If; l7xlttgn .S/mr Illucx claxxicx and nriginalx l'rnin thix accnniplixhcd \Vaxhingtnn l)( ‘ ja/lnian.
Jim Byrnes 'I'ltt’ ('(mti'n “(If [In/c. tmtt/ /.\’.rlug. ///mt. A xclcctinn nl' nld tiiiic acnuxtic hliicx lrnin Jini ll}i'ncx. Caramba ('ttt‘iuti/m. .lttqttxtittr'x. 3/ 37 .lug. //. /_‘-/IIII, l.atin. g}px} and l'lailicncn niuxic and dancc l'rnni thc l’ihaVixhiiick ('nnipan}.
Cardiff County and Vale of Glamorgan Symphonic Brass Nit/tiniu/ .vl nurtuttun u/ l'qu/i ()I‘t’llt’UI'tH, ('t'titt‘it/ Ila/l. 301113. l3..\’lI/mt. (‘niiductnit .\lathc\\ 'l‘hixtlcunnd.
'( it‘ccttxlccu'x‘. ‘licatlcx Suilc'. Ji\ c (‘nnccrtn: :\grcl|. \Varlnck atid .lnplin. Cathie Rae - The Julie London Songbook [Ir/tn '\ .ltth (Tl/(u: /.\' Jug. Sill/mt. .'\ lt'tltttlc It) lltc xxx ccl xnttll'lll \ncalx nt' .Iulic I.nndnn.
Chick Lyall Trio II('III'\ '\ Jug: ("cl/in: 3!).luu. SAW/mt. l’rngrcxxi\c ia/l xntiiidx l'rniii lxt'}ltttttl'tl pla} ci' (’liiclx l.)a|l'x ucu trin. .\ claxxicall} traitch cnnipnxci'. l._\al| liringx a raw xcnxc nl I'nriu and cnntrnl tn ia/l cnnipnxitinii.
Cutumba - Cuban Extravaganza 'I'lzw l'immm Spli’gcltcttt. l‘Lluu. 3pm. 'l'hc (’uhan inuxic c\plnxinn rc'.crlwratcx nn. aiuplil'icd h} thc IS xingcrx. danccrx and pcrcuxxinnixtx nl ( ‘nnitunn l"nlklnricn ('titutnha. lnundcd 4t) _\cai'x agi'. and tin xtrangcrx tn litii'npc. hut pla) ing \\'( ).\l.'\l) and thc lidiiihurgli l‘ringc ax part nt' thcir lii'xt-c\ cr tnui' nl' tlic l'lx'. 'l'un xingiiig xixtcrx in thcir xi\ticx lcad thc \ncalixtx and annthcr dixtincti\ c and unuxual \nicc Icadx thc traditinnal Santiagn carnnal cnnga thc rccd) call nt' thc (‘Iiincxc cnrnct. Sccniingl}. \ilicn thc xuppl) nl :\lrican xla\cx dricd tip. ('hincxc unrkcrx ai'i'hcd tn till thc \acuuin c\ cii nn\\ llaxana liax a (‘hinatnxin ‘l'hc intlucnccx nl' llaiti. .-\lrican and Spain cnlnur thc cnxtuincx and pcrincatc thc danccx. hut lliix ix inni‘c than a xpcctaclc )0“ can inin in. t.\'nrinan ('halincrxi
David Milligan Trio llt’lll'\ '\ .litc': ('t'llitt: living. SAW/mi. l’ianixt \lilligan and hix trin xuppl} a inclndic _ia// xclcctinn l'rnin nId xtandardx tn 11C“ ci‘ lunk} tuncx.
Kent Du Chaine Ili'llH ‘\ .Itiss (‘t-lliu: I‘I .luu. RAVI/mi. ;\ lint night nt' hlucx} xnundx li‘nni .»\nicrican xtch guitarixt l)u (’hainc. 4-Mality Live! 0000 J-ttu/m. I'lit» [in/tun ('lult r’lli n/ I/ti' l’lllt'. until 3,“.lttg'. 0.15pm. 'l hc pct'cuxxinn qtiat'lct -l-.\l;tlll} turn nu a dal/ling dixpla) nt' \ irtunxit} in tliix c\cc||cnt carl) c\ citing xlinxi, hut dn xn ui liighl} acccxxihlc atid gnnd huinnurcd laxhinn. 'l'hc \ ixual itiipact nl' thcir iiiiprcxxn c arra} nl' iiixtruincntx. ranging ti'nni niariinhax and \ ihraphnnc thrntigh in hand dt'uinx. niaxxi\ c gnngx. trianglc and hcllx. ix \cr} much part nl thc xhnu_ ax ix thcir nl'tcn cninplc\ inn\ cincnt arnund thcin. 'l‘hcu' intlucnccx arc \\ idc-ranging. t'rnin niinnnalixui thrnugh tn ia/I. inch and all nianncr nt' cthiiic xnurccx. xninctinicx prnniixcunuxl} intcrininglcd in thc xanic picch 'l‘hc niuxic tlic} p|a_\cd rctlcctcd that \arict_\. taking iii xc\ct'al xclt' cninpnxcd “01‘le ax \\ cll ax a ia/l xtandard and 'l’itn l’ucntc‘x '( )}n (‘nnin \'a'. inadc tainnux h} Santana. llighl) rcciunincndcd ilx'cnii} .\lathicxnni
Gershwin 8. Porter - From Broadway To Basin Street Strut/i Sutiutmti'. SIml/trti/gc Huttu'. “Hill 35 .lttu. Spin. .r\nnc l)iacl\. (ircig \V W Hill atid lidith Budgc in a hlcnd nt' niuxic thcati'c and tall intcrprctalinnx.
Goddard llt'lll'\ '\ lit; (ti/(ll; /‘/.lu;'. nut/night. lltcu‘ tip and—cnniing t'unkxtcrx pla} a xclcctinii nl' nriginal and claxxic tuncx. Icaturing \ncalixt Jcrcni) (inddai'd.
Herbie Flowers Fez Bar 000 Kittttultit illlfllt'. Ronni/tit Snut/ntu’c. tittttl I7 .1112. 5. III/mi. (ii\cn hix track rccni'd. haxx xuprcnin l’lnucrx cnuld caxil} build an anccdntc hca\,\ 'iiuxic ‘n' chat xltn\\ and thcn tnnr it tn dcath. lnxtcad. lic‘x nxing hix lidinhurgh xtint tn pla_\ xlnix hlucx and lil// and xhnucaxc xnnic nl' tlic inuxicianx hc |n\ cx pla} ing “llll at tlic ninnicnt. Sn. lrcxh t'rnni licr .v\-l,c\ clx. a )nttttg |a// xingcr lxnhcl .-\ndcrxnn gctx a lair chunlx nt thc xlinu. and thc lahulnux npcratic tcnnr and xcat-acrnhat ch/n .\lurrnnc hlnu x lhc audicncc aua} \Hlll xnnic thrilling \ncahxing. ‘l gct tn cr_\ at lcaxt tlircc tinicx a da) \\ ith thc inuxic in in} lit'cf xa_\x l‘lnucrx. lti llt!\ cninpan}. thci'c unn't hc a drnp lctt in hix hnd} h} thc cnd nt tlic run. l.'\l;l\l;lll' \lahlinttt
Hot Charanga Sauce Hum '\ .liiqr ('t'l/ut: /.\'.-ltiu. "titling/it. Ja/l \\ ith a Latin inllucncc and ax thc iiainc xuggcxtx thc_\ u ill hc turning up thc hcat.
Jam Session llt'lll'\ '\ .Iit;‘;‘ (kl/m; lituu. ntii/tiiu/it 'l‘hc rcnnu ncd l‘cxtnal Jain Scxxiniix arc hack attracting a t‘attgc nl niuxicianx lrnni thrnugh nut thc lcxti\al. Jazz & Jokes ('it/i' RHHI/ I‘i'ittui' I'lti'ittn'. until 3/) ,lIIL'. 4.30pm. .\ xaxx} nii\ nl tip licat ia/I iiuinhcrx and cnuuc nhxci'\;itinii trnin thix pianixt and \ncalixt dun. Jazz-Queens .S/turt (llll/ (itr/ti' 'I'ltt'ittri' (hut/nun. (I lllllll /:\'.rlug'. /3.."/Iitm. .\ luxinn nl :\xl;tll \ncalx_ li'nni .-\nccxa (‘haudlir). and iuipi'n\ ixcd ia/I kcihnard xnundx ll'ttltl :\lc\ l);tllnn.
i ii {i 55 it 'El Konrad Wiszniewski lli'tiijik Jar: ('cl/ut: 3/ Aug. 3.30pm. Saanhnnixt Knnrad .{ \Vix/nicxx xki hax ciucrgcd ax niic nt' llic innxt cxciting _\nuiig ja/l pla) crx nn thc currcntl)‘ hunyant Scnttixh xccnc. llix pl'ttgl'L‘xx liax hccn prndiginux by any xtandardx. and at 2] hc ix
alt‘cad} cnnxidcrcd gnnd cnnugh tn he a regular in thc xaxnphnnc xcctinn nl thc Scnttixh
.\'atinna| .laI/ ()i‘chcxlt‘a.
llix t'aiiiil) rnntx arc l’nlixh. hut hc \\ ax hnrn in (ilitxgtm. llc wax hnnkcd nn thc tcnnt' .xaxnphnnc h} hcaring Michacl Brcckcr. tint an unuxual inductinn. cxccpt t‘ni' thc fact that it
\xax nnt nnc nt' Brcckcr'x ja/I rccnrdx. but a l)irc Straitx alhuni. 'l'hc gi'nxi'th nl' l'nrinal ja/I cducatinn at all lC\‘Cl\ hax l‘nxtcrcd man)~ nt‘ thc currcnt _\nung talcntx in Scntland. and Knni'ad ix nn c\ccptinii. llc curnllcd in thc Ntitiiiiiail .lu/l. lnxtitutc ax a til‘tccn ycar-nld in 1095. \xhcn 'l‘ninni)‘ Smith \x‘ax xtill itx dircctnr. and ix curi'cntl) xtudying ninxic at
Strathclydc l'iii\'ci'.xit_\. Next _\car. hc \\ ill takc a \\ cll-trawllcd rnad l'rnni Scntland tn
Bcrklcc (‘nllcgc in antnn nn a .xchnlarxhip.
ln tlic incantinic. thnugh. hc hax duclnpcd aii cxccllcnt quartct with guitarixt Stuart
(inrinan. haxxixt Rnxx llaiiiiltnii and druiiuiici' :\l;ll1 (‘nxkctz playing niuxic \\ltlL‘lt drau'x nn
claxxic hard hnp and pnxl hnp inndclx. but \\ ith a dixtinctly cnntcnipnrar} lccl.
(KL'lltt) .\lathicxnn)
Jazzed Up and Winding Down l-t'utitii' Ix’i’i/lti’iti/ l’rm/ui'ttmn. ('rmi Ilt’ l’ltigu llutt’l. ltllll/ 3!) Aug. lllll('\ t'(ll'\. l.ntiixc llnldcn and thc l)c\ lin-‘l‘lint‘t‘c 'l'rin rcturn \\ ith iax/ xtandai'dx. cnntcnipnrar} and ni'iginal inatcrial. Rc|a\ \\ ith a drink al'tcr racing l'rnni xhn\\ tn xlttt“.
JD Hinton and His American band I‘l'ittttti’ Ix’i'tl/icm/ I’rm/ui'timix. ('I'mi'nt' I’lttgtt llnti'l. until 3/) slug. Illll(’\ t'tII‘V. .-\ tnticli nl' rcal lil'c :\iiici'icana lrnnt J1) and hix hand mixing up hlucx. cnunt} and thc xntiiid nl hix linnic land.
Keane l’llllt’ [\‘(YHHC l’lt'tlulllt‘t' [ht/tic. tuitt/ 37.le(3. Ill/m1. l-':.ixcinating Aida \\ ritcr atid xingcr pcrt'nrinx hcr latcxt cnllcctinn nl' huninrnux and mm iiig xnngx. Konrad Wisniewski Quartet lli'ttri'K Jug: ('i'lliu; 3/1112. SAW/m1. Scc pancl.
Late Junction-Live Hm ‘ Rut/tn .i’ l.ll‘(' l.lll(' ('It. Ihutm’ Ii’uxi’ .\'itltuttit/ (‘t'ttlrt' Inr lhttii’t'. 3/ glitz. lU/UII. \ct'it} Sharp pi'cxcntx thix cult xlttt“ that dcninnxti'atcx tlic pnxxihiliticx nt' niuxic. Late-Night Jazz Jug.- (kl/at .\'u. /. (‘c/lur Iiur .\'n. /. 3‘) Jul 35 .luu. llHlt’\ i‘tlt'\'. .\ tlti\ Ul' t‘L‘xpt‘L‘lctl lncal lit/l niuxicianx pcrl'ni'ni and jam at thix gi'cat latc night hangnut‘
Music To Watch Boys By Kim Hint/)li'ln‘. I’li'itxtttti'i’ (‘nurtuml (llll/ ()i‘i’t' I/lt’ li’mtil. [III/ll 37.lug. (LAW/mt. 'l‘lic c\cc|lcnt l’cgg} l.cc xpccialixt tui'nx hcr \ncal attcntinn nn thc ratpack.
Nextet (’u/lt’gi' nr l‘llll’ .lrtx. I'Itti'i'rxtn n/ Nam/it. l.u\ Hum. 'I'/ti' (iumgt'. [HI/ll 3,".lttg'. .S/mt. Vil'kn Halc} dit'cclx tliix lilll\t‘l'\ll_\ nl' \mada. l.ax \cgax hand and thcir uniquc 'nc\\ niuxic lnt' thc 3|xt (’cntur} ‘.
1933 And All That — Brecht, Weill and friends Ih'tttitlt‘tt lx’m'lu't I’I‘m/Iti‘ltutt\. Ix’m‘lu'l (” Ix’uwll ( ‘(’//('§'(' 0/ Sit/gt'uttx. until INJHQ. Na/H/mt. .'\lt|l;t /appai'nli pci'l'nrnix caharct xnngx trnin lici'lin tn Brnmhxa}.
No Strings Attached (‘lm-mi-h tSi‘ntIts/t llur/t) Stir/ctr. 'I'ltt’ .llitgi/tt/i'ti (lid/Ml. H) [AC-lug. N/tm. 'l'I'aditinnal. iiindcrn and ja/l niuxic pci'l'ni‘nicd nii liddlc. harp and t‘lutc.
None of the Above I‘Iu’ limigu (‘lub out u] [/H' him: until 30 .lug. x.."()]’lll. lnda} 'x xlttm hax pcrl'nrnianccx lrniu Bag n‘ (‘atx and thcir xnundxcapcx inl'lucnccd h} Scntland. liaxtcrn litn'npc. Africa and
India; a ini\ nl'clccti'ic liarp atid \ncalx l'rnin Shinc and atitliciitic linglixh l‘nlk l'rnin \Vatci'xnn ('arth}.
Power Of Scotland Big Band Ilt'nri 'x Just ('t'l/ut: 33 xiitg. .S'..\'U/mi. ‘l‘hc hig hand xniind l'rnni thix ncxi l) l‘ni'incd cnnihn iiiadc up nl' thc crcani nl thc ci'np nt' Scnttixli _ia// at‘lixlx.
Rosie Brown and This (2 until 3/) slug. tun/night. Scc Rnclx
Salsa Celtica Sit/m (kl/tut. 'I'lii’ Qtu'i'n'x [IN/l. 33 .‘lllg'. SAW/mi. .'\n irrcxixtihlc. ni'iginal l'tixinn nt‘ Scnttixh niuxic \\ ith (‘uhan dancc. lidinliui'gli‘x hnntcgrnun l.atin talciit tcanix tip \xith (’uha‘x natinnal dancc cnnipan} (‘niijuntn l-"nlklnricn ('utuinlia. Scc paiicl.
Salsa Celtica 'l’lti' l'illttutn .S'ptcgi'lti'til. l7 liS'.'lttg. ///mt. .\ hcad} nii\ nlja/l. :\lrican. latin and (‘cltic rh)thnix li'nin thix Incl} grnup.
Soweto String Quartet and Their Band 'I'ltc Sin/intuit .'l\\¢'lll/)l\'. .-\ \\('lttlt/\ RHUHH. until 3-! xlllg'. ()[HIL linnk. pnp and cum claxxical xnuiidx l'rniii thix ntittit all Cttlllltlltctl \\ ith uphcat traditinnal Snuth .’\l'rican l'll}lllltt\, Rcciininicndcd.
Roger Sutcliffe (it/alumni: I-u/A Ii’ltuw it! t/ti' (ittt/i/lnt‘il. (iitt/t/lnt'il.\rnt\. /.\' I‘Llug. 8pm. lilticx} t‘nlk _ia// t'uxinn lrnni thix inaxtcr nt~ thc guitar. acnuxtic. xlitlc .‘ttttl L‘lL‘cll'lL‘.
Tam White/Brian Kellock Hum ‘\ ./tt.';‘ (’t'l/tu; Indira. X.A'U/mt. .\lndcrn |.‘l// hlucx xnundx. nndcrla}cd \\ ith thrcadx nl' lunk l'i'nni Scntland'x lcgcndar) lilucx \ncalixt lain \\'hitc. accnnipanicd |\_\ Brian Kcllnck nn kc}|\nat'dx,
‘n- .‘.’ .»'\:.i_; .ii‘i" THE LIST FESTIVAL GUIDE 47